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 sticky  Author  Topic: #9 The Drone Enigma A Global Search For The Truth  (Read 66144 times)
Marvin
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Mmm, yes, very curious, very interesting....


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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #660 on: Jul 23rd, 2009, 07:52am »

on Jul 22nd, 2009, 6:05pm, tomi01uk wrote:
A little Chaos ... wink





It's a scary thing....


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"You naughty earth specimens!"
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #661 on: Jul 23rd, 2009, 1:20pm »

Yep, it's scary. Isn't it Mask cheesy

Maybe D. Lynch was on to something.. wink
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masker33
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #662 on: Jul 23rd, 2009, 1:24pm »

And as it goes, it seems to stay.
A myth is a myth is a myth.
Just a silent saga asleep.
A story yet revealed, waiting for a new audience.
grin grin grin grin grin grin
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #663 on: Jul 23rd, 2009, 1:58pm »

on Jul 23rd, 2009, 1:24pm, Masker33 wrote:
And as it goes, it seems to stay.
A myth is a myth is a myth.
Just a silent saga asleep.
A story yet revealed, waiting for a new audience.
grin grin grin grin grin grin


Who are you this week? Joseph Campbell? rolleyes wink
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #664 on: Jul 23rd, 2009, 2:22pm »

The Hero with a thousand faces!!!
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #665 on: Jul 25th, 2009, 04:53am »

on Jul 23rd, 2009, 2:22pm, Masker33 wrote:
The Hero with a thousand faces!!!


So grasshopper, what have you learned on your hero's journey?
The fool is the twin of the wise?? wink



« Last Edit: Jul 25th, 2009, 04:53am by tommi01 » User IP Logged

masker33
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #666 on: Jul 25th, 2009, 4:54pm »

To recognize the truly curious world called reality and how often it shows signs of wear and leakage from elsewhere.
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Katterfelto
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #667 on: Jul 25th, 2009, 7:34pm »

on Jul 25th, 2009, 4:54pm, Masker33 wrote:
To recognize the truly curious world called reality and how often it shows signs of wear and leakage from elsewhere.

Sorry but this game is wearing very thin. I can count on one finger or less anything of substance you have added to any of this. You're a walking proverb who answers questions with nothing.
What a waste of O.
« Last Edit: Jul 25th, 2009, 7:56pm by Katterfelto » User IP Logged

DrDil
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #668 on: Jul 27th, 2009, 3:22pm »

on Jul 25th, 2009, 7:34pm, Katterfelto wrote:
Sorry but this game is wearing very thin.

<snip>



But it's the only game in town..... wink
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #669 on: Jul 27th, 2009, 3:26pm »

Quote:
Asemic writing (Wikipedia)


Asemic writing is a wordless open semantic form of writing.
The word asemic means "having no specific semantic content".


Illegible, invented, or primal scripts (cave paintings, doodles, children's drawings, etc.) are all influences upon asemic writing. But instead of being thought of as mimicry of preliterate expression, asemic writing can be considered as a postliterate style of writing that uses all forms of creativity for inspiration.

Some asemic writing has pictograms or ideograms, which suggest a meaning through their shape. Other forms are shapeless and exist as pure conception.

Asemic writing has no verbal sense, though it may have clear textual sense. Through its formatting and structure, asemic writing may suggest a type of document and, thereby, suggest a meaning. The form of art is still writing, often calligraphic in form, and either depends on a reader's sense and knowledge of writing systems for it to make sense, or can be understood through aesthetic intuition.

Asemic writing can also be seen as a relative perception, whereby unknown languages and forgotten scripts provide templates and platforms for new modes of expression.

Asemic writing occurs in avant-garde literature and art with strong roots in the earliest forms of writing.
Source: Wikipedia/Asemic writing

I happened across a post by Mac Tonnies recently at the excellent Blog (PosthumanBlues) in which Mac posted the following image stating that it:

“features glyphs superficially similar to those found in the notorious CARET documents.”

The image was originally posted to a Blog called, “The New Post-literate: A Gallery Of Asemic Writing” (Michael Jacobson) was originally by Morgan Taubert and is titled, “A Love Letter to June”.

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I’ve posted the enlarged version of the section which is highlighted in red to the right of the images/s just so perhaps you can get a better feel for the comparison. As Mac said it’s only ‘superficially’ similar and I would personally say its ‘suggestive’ of the CARET documents but either way it is sort of vaguely reminiscent of them.

Here’s another image which is titled, “Second Try” and is by Becky "Spex" Baxley:

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Source: TheNewPostLiterate.

Again there is no more than a subtle likeness at best but the pictures weren’t what I found particularly interesting…..

After looking a little further I came across a website by someone called Tom Venning whom is an artist and practises asemic writing, however what I found interesting was a single page hidden away where he elaborates on what asemic writing means to him personally, i.e. the reasons he practices it and what his interpretation of it is.

What immediately struck me was that this particular viewpoint and subsequent explanation was infinitely more appropriate in describing the LAP than the absolute drivel which which Isaac released:

Quote:
Asemic writing


Wordless writing, illegible writing, new forms of writing.

Asemic writing has no semantic content. The letters are illegible, invented, or primal. The text has no verbal sense. Through its formatting and structure, it may suggest a type of document, or coded diagram, thereby, hint at meaning. Asemic writing can be understood through aesthetic intuition… through gut feeling. Each of my paintings is a story, an anatomy, a map or ancient scroll that the trained mind can decipher… the deciphering being the training that it takes to understand, to read the text of the story the viewer imagines, the feelings the painting invokes, the experiences it awakens.

The letters of my alphabet are numerous… each letter being a line, but the full impact of the letter on its word being described by the shape of the line. It is as if the lower curve of the letter "S" modifies the meaning of the top curve of the letter "S" so that the letter could either be a sharp "S" or soft "S" or a sly "S" depending on its curves…

So each line is a letter. But each line/letter slightly modifies the meaning of the letters surrounding it until the lines form a series and thus a word. So a words meaning can subtly change, similar to the 250 (or however many) words the Inuit have for describing snow… always starting with an "S" and its associated sounds and intuitions depending on its shape… and always spelt "S-N-O-W", with each letter gently influencing the full description of the snow. So you see my written language has an infinite number of ways to describe snow…

… and of course the meaning of each series, of each word, effects the meaning of the words around it, a gently rolling of infinite subtlety of meaning. Ultimately the story, scientific description, or mapped code is the landscape formed by the lines and series… and the landscape is not fixed, it changes according to which direction your eye moves across it… just as a steep decline is easy to slide down, but a steep incline almost impossible to climb up. So to understand the text you need to stop awhile and meditate on the landscape, letting your eye and mind flow over the curves and swirls until your aesthetic intuition begins to unravel and decipher the text.

The story is my story of my state when painting, of my feeling for the painting, of my feeling for the subject, of my feeling for myself and my brush. The story is also yours, the viewer, of your state, and the filters you employ (your judgments) to decipher my communication… then you understand.


Source: Tom Venning.

Highly irrelevant I suspect but nevertheless personally I found it quite compelling….. wink

Cheers. grin

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Tongue-tied & twisted, just an earth-bound misfit.
masker33
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #670 on: Jul 27th, 2009, 3:49pm »

Game?
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #671 on: Jul 27th, 2009, 4:06pm »

on Jul 27th, 2009, 3:49pm, Masker33 wrote:
Game?

Hell yes!! kiss

Which part of the definition are you struggling with?

Game: an activity that people participate in, together or on their own, for fun.

But besides that I was actually referencing a famous quote:

Quote:
The headline quote comes from an often told story about a Mississipi riverboat gambler, who had a severe addiction to his vocation. Upon making an unscheduled stop in a small riverside town notorious for its crooked game, he proceeds to the gambling emporium and loses all his money. Upon his return to the riverboat, complaining of his losses, a friend and fellow riverboat gambler questions the man's sanity by saying, "You knew the game was crooked; why did you play?" The gambler's response is the now famous, "Because it's the only game in town."

This was also referenced & paraphrased in the Colin Bennett (Meme wars) article on the Drones I linked to not long ago, but I guess the short answer to your question is:

Yes and the 'Game Is Fixed'.

Cheers. wink
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Can't keep my eyes from the circling skies,
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #672 on: Jul 27th, 2009, 5:14pm »

Quote:
Yes and the 'Game Is Fixed'.

Correct.
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #673 on: Jul 27th, 2009, 5:33pm »

on Jul 27th, 2009, 4:06pm, DrDil wrote:
Yes and the 'Game Is Fixed'.

on Jul 27th, 2009, 5:14pm, Masker33 wrote:
Correct.

Fixed = Hoax
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xx Re: #9 The Drone Enigma A Global Search For The Tr
« Reply #674 on: Jul 27th, 2009, 5:55pm »

A psychological game in where the participants are inundated with information that runs in contrast with their personal beliefs on what makes reality different from that of a lucid dream.



It is a lesson in Phenomenology Kiddies. Been trying to tell ya for a while now.



Its as real as anything you or any faction of individuals could convey (through design and manufactered elements) or as 'fake' as the nightmare you may have had last night.



In the expansive labyrinth of consciousness the subtle details between thought and action are of little consequence, rather, intent is the key to causality in such a realm. The intent was to play a game, a trick, a mass hallucination in which you were all Pawns, Rooks, Knights and Bishops.

The great Oz sat behind the curtain and presented the projection of the magnificent Drone Iconography, with flying apparatus in hand, he manipulated your emotions as if they were strings on his violin, making you sing, whine and play the song of mystery and intrinsic yearning for something more than 'real'.
shocked
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